Wednesday, January 18, 2017

REFLECTION II

by  shaun lawton






Okay, so listen up, punks. I'm listening to Eno's latest ambient album REFLECTION right now. I couldn't find it on the normal channels online, so I logged in to Spotify and found the four minute and twenty-one second excerpt--and am listening to that on repeat. *(Click the image above to link directly to the Reflection excerpt on Spotify)


I just wanted to set the record straight here. In the previous section of this diptych on Eno's latest release, I waxed on about some ridiculous notions concerning the potential for his ambient music to evolve radically over an indefinite period of time; for it to potentially mutate into an unfamiliar form. While such fancies make fun notions to suddenly jot down by the ends of my fingertips whilst madly blogging without a care in the world, I return in this sobering sequel to reassure you all that no such thing could possibly take place insofar, at least, as the original tape loop recordings Eno pioneered 42 years ago. (I assume the technique which yields REFLECTION to be analogous to that, only in digital format.)

The point being, if you set up the original different-length tape loops to play endlessly, yes they'd never quite repeat the exact same configuration of sounds yet rest assured the exact same level of tonality and texture would remain consistent throughout all eternity.   This is the answer we'd expect to hear from Mr. Eno, were he required to explain the nature of his ambient tape loops. I feel Reflection to most likely be constrained within the same inflexible parameters which allow the digitized loops to interplay--producing endless sonic configurations--while remaining relatively consistent in tone and texture.

I've been getting increasingly intriguing glimpses into the full potential of the Reflection app from having listened to various differing snippets of Reflection.  Namely, the four sides of the 2LP vinyl (which I more often than not select to put on the turntable randomly, as if the four tracks were on shuffle) and now this endless looping four minute, twenty-one second excerpt on Spotify unspooling gently in the background from my office computer here.

Given the observation that even this limited four minute snippet loop doesn't get old after multiple repeats, it widens the album's vista into a dimensional fourfold.  I think of the album as a folded up, sonic hypercube now. That renders the app as the spaceship that will catapult the listener into warp drive. This is your spacey dJ & vinyl junkie Thornswrath signing off for now, reminding you that we are well underway into the unfolding Technological Singularity.









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